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Vlatka Horvat: "Prema planu / According to Plan ", samostalna izložba / solo exhibition

Mmc Luka Pola, Croazia
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"Radovi Vlatke Horvat usredotočeni su na geste reorganizacije prostora te prostornih i društvenih odnosa između predmeta, tijela i elemenata arhitekture. Interes umjetnice prvenstveno je usmjeren na proturječja i neizvjesne aspekte interakcija između subjekta i objekta, te konteksta i okvira unutar kojih se oni susreću. Umjetnički postupak Vlatke Horvat spaja minimalizam konceptualističke prakse s nestabilnim performativima improvizacije, ponavljanja, testiranja, opetovanih pokušaja... Radove realizira u nizu različitih medija poput instalacija, objekata, kolaža, fotografije, videa, tekstualnih radova i performansa, a bez obzira na odabir korištenog medija njezini se radovi često manifestiraju kroz strategije i geste rastavljanja/rasklapanja i “popravljanja” – metoda kojom se prethodno funkcionalni i prepoznatljivi objekti predstavljaju u novim okvirima – otkriveni kao “nešto drugo“, kao sklop mogućnosti. Lomovi i rezovi prostora, slike, riječi, smisla, postaju mjesta na kojima se formiraju narativi za razumijevanje umjetničke prakse Vlatke Horvat – artikulirani istovremeno kao mjesta potencijalnih kolapsa i krahova, kao i mjesta potencijalnih transformacija i imaginacije. Bilo da se radi o kolažima ili intervencijama u prostoru, nizanju i gomilanju varijacija predmeta ili slika, radovi Vlatke Horvat na različite načine uokviruju određene egzistencijalne uvjete, stanja i emocije, opetovano uspostavljajući nove odnose koji induciraju proizvodnju različitih, višeslojnih značenja." (Branka Benčić)

Vlatka Horvat (rođena 1974. u Čakovcu) imala je samostalne izložbe u Disjecta Contemporary Art Center (Portland), BU Art Gallery (Boston), annex14 (Zurich), Rachel Uffner Gallery (New York), Zak|Branicka (Berlin), Bergen Kunsthall, the Kitchen (New York), medu brojnim drugima. Realizirala je autorske projekte za Volt Bergen, Marta Herford Museum, Oktobarski Salon (Beograd), MoMA PS1 (New York), Galerija Skuc (Ljubljana) i 11. Istanbulski bijenale. Nakon 20 godina u SAD-u, trenutno živi u Londonu, gdje je 2009. doktorirala na odjelu Visual Culture and Performance na Roehampton University. Radove Vlatke Horvat zastupaju galerije Zak| Branicka (Berlin), Rachel Uffner (New York) i annex14 (Zurich). www.vlatkahorvat.com

Izložba se realizira u suradnji sa Apotekom – prostorom za suvremenu umjetnost (Vodnjan) i Galerijom SC (Zagreb). Kustosica je Branka Benčić. U subotu, 31. 05. izložbom Vlatke Horvat započinje program Apoteke – ciklus izložbi Privremeni susreti.

Izložba je ostvarena sredstvima Ministarstva kulture RH i Grada Pule i traje do 16.06.2014.

Vlatka Horvat: According to Plan
30 May – 16 June 2014
Annex Gallery
MMC LUKA , Istarska 30, Pula, Croatia

Opening reception: 30 May 2014, 8 pm

In her work, Vlatka Horvat often uses gestures of reorganization of space and spatial relations between objects, bodies and elements of architecture. Drawn to the contradictory and uncertain aspects of the subject / object relation, Horvat’s work stages encounters between a human body and its context, often problematizing the various frameworks – physical, material, conceptual – within which these encounters take place. Horvat’s process combines a certain minimalism of conceptual practice with the unstable performative strategies of improvisation, repetition, testing, re-doing… Her work, which spans a range of media – from installation, sculpture and performance to collage, photography, video and text works – is frequently manifested in the form of a series, in which individual iterations of an image or an action become articulated as attempts, examples, or versions of “the same.”
Regardless of her choice of media, Horvat’s works often uses simple gestures of assembly and disassembly, of taking things apart and putting them back together in new combinations. Through these provisional and often haphazard acts of merging and “repairing” broken, severed or fragmented items – the previously functional and recognizable objects are presented in new frameworks; revealed as “something else”, as sets of possibilities. Fractures or cuts enacted in physical spaces, objects, images, words – as well as in meaning – become in Horvat’s work sites where larger narratives of her artistic practice are formed. These moments of interruption and breakage become articulated both as sites of potential collapse and crash, as well as sites of potential transformation and imagination. Whether we are looking at 2-dimensional collage, or at spatial interventions in rooms or buildings, Vlatka Horvat’s acts of sequencing and accumulation of variations of objects and images foreground in different ways certain existential conditions, states and emotions, continually establishing new relations which allow for the production of multiple, layered meanings.

Vlatka Horvat (born 1974 in Čakovec) has had solo exhibitions at Disjecta Contemporary Art Center (Portland), BU Art Gallery (Boston), annex14 (Zurich), Rachel Uffner Gallery (New York), Zak|Branicka (Berlin), Bergen Kunsthall and the Kitchen (New York), among other. She has realized commissioned projects for Volt Bergen, Marta Herford Museum, The 53rd October Salon (Belgrade), MoMA PS1 (New York), Galerija Skuc (Ljubljana) and the 11th Istanbul biennale. Horvat holds an MA in Performance Studies from Northwestern University in Chicago and a practice-based PhD from the department of Visual Culture and Performance at Roehampton University in London, where she currently lives. Horvat’s work is represented by Zak| Branicka Gallery (Berlin), Rachel Uffner Gallery (New York) and annex14 (Zurich). www.vlatkahorvat.com

The exhibition is curated by Branka Benčić and realized in cooperation with Apoteka – Space for Contemporary Art (Vodnjan) and Galerija SC (Zagreb). Following Friday’s opening at MMC Luka, on Saturday, 31 May, Vlatka Horvat will open a related exhibition in Vodnjan, marking the start of Apoteka’s programme and launching a cycle of exhibitions titled Temporary Encounters.

Veniteci a trovare
dal 30 maggio al 16 giugno 2014

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